https://www.exploringexposure.com/videos/colors-and-tones/

• How to use the Histogram with the Zone System to prevent loss of detail in the shadows and highlights.
• Creating Tonal Contrast and why it is important to create images that have life and depth.
• Understanding white balance by studying landscape painters and how they used cool shadows and warm highlights to create depth.
• Using extreme saturation temporarily to help visualize white balance.
• 20 examples in Lightroom showcasing a variety of subjects including grand landscapes and small scenes.
• Make your Lightroom workflow quick and easy using these simple methods to create stunning results.

Epub | Pdf

Epub | Pdf

Epub | Pdf

12 pages | English | ISBN-10: 0439691389 | ISBN-13: 9780439691383

 
The best-selling and universally-praised bible for the Sony Alpha a6000 is finally back in print! David Busch's Sony a6000 Guide to Digital Photography is your all-in-one resource and reference for the Sony Alpha a6000, and now it's available in both printed and ebook form from Rocky Nook. The top-ranking a6000 mirrorless camera features expanded ISO settings to 25,600, a high-resolution 24MP sensor, fast 11 fps maximum shooting rate, and a high resolution electronic viewfinder.

David Busch's Canon EOS Rebel T6/1300D Guide to Digital SLR Photography by David D. Busch
2016 | ISBN: 168198170X | English | 340 pages | EPUB/AZW3 | 26 MB

https://www.imageworkcourse.com/

 

Have you ever looked at the images other photographers are making and just thought, "How the heck are they doing that? My images don't look like that. Is it the camera? Is it something magic in post-production? I don't get it!" You can nail the technical stuff and get it all "right" and still not make your images look the way you want them to. And if they don't look that way, they won't feel that way.  ImageWork is an 18-lesson video series about the aesthetics of photography. In other words, what decisions can we make to make images look the way they do? There are a lot of answers to that question. Some of them involve depth of field, and some come from our choice of shutter speed or the way we use our optics or where we put the camera (this is a big one!). Others have to do with our choices in the digital darkroom. But most of the time it's the combination of all those things and more. And it's never a result of following the manual.  One of the problems with learning photography is that we too often start with the technical stuff. We need that. But it's not a very creative approach. Your photographs can come out of the camera technically perfect—and perfectly bland. So can mine.

https://www.davidaguilarphoto.com/moodylandscapes

  Language: English

 

An extensive 6 hours online course on post-processing dark and dramatic images. I'll teach you my whole editing workflow step by step from start to finish on three different moody photos, using Adobe Lightroom and Photoshop.